|Olana Overlook, 6X8, Carol L. Douglas|
Painting at a site for the first time is kind of like dating in middle school—you’re drawn to flash. It takes a while to see the quality in the quieter subjects. This is the third retreat I’ve painted at Olana. I’ve gotten the big vistas out of the way and am starting to be drawn to deeper, more intimate views.
Compared to my mid-Hudson pals, I’m still at a disadvantage. “That’s a lovely little tree,” I said to Jamie Grossman.
“I know,” she answered. “I’ve painted it three times.”
|Garden Lane, Olana, 8X10, Carol L. Douglas|
In July, I’ll be back at Olana for the Fourth Annual Plein Air Paint Out and Festival. In some ways, yesterday’s painting was reconnaissance.
Since I am tired and rusty, I figured that getting all my gear down to mid-Hudson and actually set up would count as success. Actually painting anything would be a bonus. I opened the cooler in which I keep my paints—only to find that I’d brought my framing tools instead.
You can improvise a lot in painting, but paints are a necessity.
|Coreopsis, 8X10, Carol L. Douglas.|
Immediately several people jumped forward to offer me theirs. Turns out I had enough loose paint on my palette for the day. But it’s heartwarming to know I have such good friends.